Tag Archives: Poetry

Phoenix Aflame

Phoenix egg design detail

Phoenix designs are my latest affirmation-oriented passion. The first series of designs consists of these four eggs, each with an affirmation printed on the back side. The affirmations derive from my daily writing. Most mornings, I start the day by searching inwardly for an affirmation that fits my my orientation… then I find a picture that corresponds. I post these to my journal.

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The Evening Tree

Sunset through trees

Winter, evening—same thing, that late phase of life. It’s a good time and I’m in it.  I walk outdoors often, listening outward and inward. Sometimes a poem comes.

LIFE, LIBERTY, HAPPINESS

I’d stopped by the evening tree
(or else was stopped below it)
when there arose in me
this deep-felt certainty:
It’s one thing to be free,
but a better thing to know it.

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Seasons and Blessings

No Shooting sign

Too late! I already took my photo.

This sign exemplifies the many “Don’t Do” warnings I encounter on my daily walks. Together, they signify that this residential area contains many undeveloped, languishing, or otherwise private properties. By “private” I mean they support a person’s being comfortably alone. Even the locale’s public areas—such as the nearby boat ramp and state park—are often unoccupied or almost so… especially in winter.

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Chipmunk Escapee

ChipmunkOkie is our orange tabby. His name has nothing to do with the Sooner State and Ethan is the only true Oklahoman in  this house. When Okie adopted us in Texas, we dubbed him “O.K.” for “orange kitty” and that was all right with him. Since then, the name has shifted slightly. Okie shares the house with us, our finches, our two other cats (Scout and Ragget) and whatever wildlife temporarily comes in. Ethan and I rescue what we can. Here’s our latest adventure… involving a chipmunk and told in poem form:

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Poetry: Villanelle

Villa entranceYes, the “Villanelle” verse form relates to villas, or at least to villagers. Possibly, it derived from the work songs sung by Italian peasants as they tended crops.

As a poet, why have I avoided traditional forms so long? …Arrogance, laziness, freedom, efficiency—or what? My response is: All of the above, plus a good dose of fear. To me, it seemed a violation of an emergent poem’s integrity to stuff it in a straitjacket of just so many lines, beats per line, rhyme patterns, or even a prescribed mood or theme. “Let the poem make its own choices,” I protested, considering myself more midwife than mother. Besides, following all those writing rules is hard work.

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